The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances, beginning with Nell Gwyn in a 1668 staging of Secret Love, and moving chronologically towards the final performance of John Philip Kemble’s controversial adaptation of Thomas Otway’s Venice Presever’d in October 1795.
This volume contains a wealth of contextual materials, including contemporary reviews, portraits, advertisements, and cast lists. By privileging event over publication, this collection aims to encourage an understanding of performance that emphasises the immediacy – and changeability – of the theatrical repertoire during the long eighteenth century.
Edited by Daniel O’Quinn, Kristina Straub and Misty G Anderson. Reviewed by Trevor R. Griffiths.