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Drama in Education in Career Guidance and Counselling: enhancing teenagers’ agency and empowerment

In a recently published PhD study, forty students from grades 9, 10, and 11 at a Greek high school participated in a quasi-experiment during an Action Research intervention that used Drama in Education as the primary method for career exploration. The intervention successfully enhanced the teenagers’ agency and empowerment through personal involvement and active engagement in all processes. Over time, the students in the experimental group assumed the roles of participants, researchers, designers, facilitators, and evaluators. According to the research findings, they developed essential career skills and transferable competences at personal, social, and early professional levels. Their career self-efficacy and career decision-making skills improved to a statistically significant degree compared with the control group.

The Impact of Mantle of the Expert on Pre-service Teachers’ Pedagogical Drama Confidence in Primary Education

Pre-service primary teachers often lack confidence in teaching drama. This can be compounded by school placement experiences with in-service teachers who similarly lack confidence. Further, where there is a narrow understanding of drama as performance, the result is missed opportunity to capitalise on the powerful potential of pedagogical drama.
Findings suggest that Mantle of the Expert is an effective way to exemplify drama pedagogy and to provide a clear framework for planning, with respondents able to visualise success in their future classrooms. Findings may help inform pre-service and in-service teacher professional development. Recommendations for future research are also identified.

In Two Minds and Two bodies: what happens when we think in role?

This paper is written from a presentation at the Dorothy Heathcote Now! conference held at Goldsmiths November 2024. It examines a particular moment recorded within an interview which was part of my doctoral thesis: In Two Minds: What Happens when we Think in Role?

The narrative begins with the interviewee’s statement:

Drama helped me escape my reality and face it at the same time (Kiara 2019).

This paradox forms the thematic core of the study, which uses Kiara’s recollection of a drama exercise where she saw herself depicted by another student. The article uses this moment to explore how being in role can catalyse self-recognition and healing transformation.

The Mythological Onça pintada: A Process Drama with Children about Threatened Brazilian Biomes

This article presents the activities of an inter-institutional and outreach research project carried out in partnership between teachers and children in the state of Mato Grosso do Sul, Brazil.  It highlights the unique features of drama in education in Brazil, as outlined through this experience, which connects socio-environmental issues of Brazil’s threatened biomes with the country’s cultural diversity. We discuss how five basic dramatic conventions— pre-text, episodes, processes, fictional context, and role experience — are developed within a process drama entitled Mythological Onça Pintada, implemented in this context. The experience fosters a connection between children, teachers, and researchers with nature, imagination, and the wisdom of traditional Brazilian cultures, offering sensitive and creative pathways to engage with themes related to the climate crisis and socio-environmental education in Brazilian primary schools.

Using narrative analysis to create story drama: A model example using Jon Fosse’s fairy tale The Fiddler Girl.

In this piece, the author employs narrative analysis inspired by Russian Formalism to explore content and form of Jon Fosse’s illustrated children’s book, ‘The Fiddler Girl’ [Spelejenta] (2009). Fosse is the Nobel Prize Laureate in Literature for 2023. By drawing on the tradition of fairy tales, the analysis examines how themes of empowerment and quest enhance each other within the story. Supplemented by educational drama theory from the legacy of Dorothy Heathcote, and close reading as a main tool, the author presents a practical arts-based workshop example of how a fairy tale can inspire and be transformed into a story drama.

Volume 16.2 Notes on Authors

Notes on Authors David Allen is Artistic Director of Midland Actors Theatre (UK). The company was lead partner on three Erasmus Plus projects on the work of Dorothy Heathcote. David runs the Facebook group, ‘The Commission Model of Teaching,’ and the website www.mantlenetwork.com. He is the convenor of the annual Dorothy Heathcote Now conference. He …

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Sarah Kane’s Theatre of Psychic Life: Theatre, Thought, and Mental Suffering

Sarah Kane was one of the landmark playwrights of 1990s Britain, her influence being felt across UK and European theatre. This is the first book to focus exclusively on Kane’s unique approach to mind and mental health. It offers an important re-evaluation of her oeuvre, revealing the relationship between theatre and mind which lies at the heart of her theatrical project.

Drawing on performance theory, psychoanalysis and neuroscience, this book argues that Kane’s innovations generate a ‘dramaturgy of psychic life’, which re-shapes the encounter between stage and audience. It uses previously unseen archival material and contemporary productions to uncover the mechanics of this innovative theatre practice.

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